
Born in Belgrade, Serbia (then Yugoslavia), Abramović grew up in a strict military household. Her parents were decorated war heroes who imposed a rigid structure on her life, a foundation that influenced her disciplined approach to performance art. Abramović initially studied painting at the Academy of Fine Arts in Belgrade, but soon transitioned to performance art after realizing that traditional mediums could not express the intensity of her artistic vision. In the 1970s, she emerged as a leading figure in the conceptual art movement, using her body to explore themes of pain, vulnerability, and endurance.
At Moco Museum Barcelona, visitors can experience Miracle 3 (2018), a striking chromogenic print that reflects her ability to capture both human fragility and resilience.
Miracle 3
One of the most striking pieces at Moco Museum Barcelona is Miracle 3 (2018). Created using a chromogenic print mounted in a light box, the piece glows with an almost supernatural intensity. Abramović appears as one of the main figures, standing over a female body lying on a surface, entrails spilling over her torso. The work is a chilling meditation on the physical and psychological devastation of war.
Inspired by the conflict in Ukraine and other humanitarian crises, Miracle 3 explores the tension between destruction and recovery. The illuminated display heightens the visceral impact of the imagery, drawing attention to the harshness of reality while hinting at the possibility of transcendence. Abramović’s ability to confront such difficult subjects reflects her belief that art must engage with the pressing issues of its time. The Miracle series reflects Abramović’s ongoing exploration of dualities – life and death, suffering and healing, darkness and light. Through this work, Abramović reminds viewers that pain and trauma are universal experiences, but so too is the capacity for healing.
Performance as Transformation
Abramović’s artistic practice is rooted in the idea that performance art is not just about spectacle, it is about transformation. In her early work, she tested the physical and psychological limits of her body with the iconic piece Rhythm 0 (1974), which presented audiences with the opportunity to use any of the 72 objects on the artist’s body. Over the course of six hours, the performance escalated as participants inflicted pain, cut her clothes, and even pointed a gun at her. The piece laid bare the vulnerability of the artist and the complex power dynamic between performer and audience.
In 2010, Abramović revisited the theme of vulnerability in The Artist Is Present at the Museum of Modern Art (MoMA) in New York. Over 750 hours, Abramović sat silently at a table while visitors were invited to sit across from her and engage in wordless eye contact. The performance became a profound meditation on connection, presence, and emotional intimacy. Many participants were moved to tears.
Spirituality and the Search for Meaning
Beyond physical endurance and emotional vulnerability, Abramović’s work is deeply rooted in spiritual exploration. Raised in a Christian household, Abramović has drawn inspiration from Eastern philosophies, Tibetan Buddhism, and shamanic rituals. Her performances often incorporate elements of meditation, silence, and energy exchange.
At Moco Museum Barcelona, Abramović’s art challenges viewers to confront discomfort, embrace vulnerability, and seek emotional and spiritual transformation.
As one of the most prolific and fearless artists of the contemporary era, Marina Abramović’s work continues to resonate, reminding us that art is not only about observation but about participation, connection, and the search for meaning.








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Practical Information
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Opening Hours
- Monday – Sunday: 10:00 – 20:00
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Duration
Approximately 90 minutes.
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Location
Carrer de Montcada 25, Ciutat Vella, 08003 Barcelona, Spain. Get directions here.
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Contact
Do you have a question? Click here to chat with us (available Monday-Friday from 10:00 – 12:00)
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Audio Guide
Audio guides are available for purchase online through the Moco Museum ticketshop or at the entrance in Barcelona.
Media Reviews
“Art should confront. Art should challenge. Art should make you uncomfortable.”